The first is the camera doesnât have any kind of built-in browser to accept the terms and conditions of public hotspots, so youâll mostly be using home or office-based Wifi. Full Range 60X Long Zoom: From 20mm wide-angle for breathtaking landscapes to an amazing 60X zoom (1200mm) to capture far off moments, the FZ80's lens brings it all together. As before itâs still fixed, which is a bit of a shame as an articulated screen is so much more versatile. In the PASM exposure modes the flash can be fired automatically when the conditions require it, or forced on; there are also Auto/Red-eye and Slow Sync/Red-eye modes. Nikon Z TC-1.4x TC-2.0x teleconverter review. The FZ80 / FZ82 also includes the Panoramic Shooting mode introduced way back on the FZ200. The LUMIX FZ80 perfectly fits in your hand with an ergonomic grip. Its DC Vario lens offers a super long zoom range of 20-1200mm (60x), making it an ideal point and shoot camera for travelers. Thanks to the touch-control system, users can quickly focus right on the subject and even release the shutter with touch operation to capture fleeting photo opportunities. The 4K Photo mode is great for capturing the perfect moment when faced with fast action, but itâs also surprisingly useful for portraits, especially of kids, where an expression can change between frames. 1mm isnât going to make a great deal of difference, but if you like to shoot dramatic wide-angle landscapes, street scenes and interiors the Lumix FZ80 / FZ82 will give you an edge over the COOLPIX B700. Itâs particularly useful when the lighting conditions force you to shoot with a wide aperture or in macro photography where the depth of field is always very shallow. Both the Canon PowerShot SX60 HS and Nikon COOLPIX B700 feature vari-angle screens that can be flipped out to face in any direction including front-facing for self-shooting and folded inwards to protect the screen when not in use. Panasonic Lumix FZ80 / FZ82 coverage, wide and tele, Above left: at 3.58mm (20mm equivalent), above right: at 215mm (1200mm equivalent). The LUMIX FZ80 long zoom camera is an "All-Rounder" that everyone can enjoy. I must admit I donât recall the older FZ70 / FZ72 being all that sluggish, at least in bright conditions, but the FZ80 / FZ82 is very quick and sure of itself. Canonâs PowerShot SX60 HS manages 6.4fps at full 16 Megapixel resolution and, although it offers a raft of low resolution high speed burst modes, the best full resolution 20 Megapixel continuous shooting mode on the Nikon COOLPIX B700 is 5fps. Even after the crop applied by the 4k video / photo modes, the camera still delivers 28-1680mm coverage, and there’s also the ability to focus as close as 1cm. You can simply tap the screen to position the AF area in single area mode. Above left:Â 100% crop, 3.58-215mm at 215mm 80 ISO 1/30th O.I.S off. (On with Active Mode (only for motion picture) / Off) Digital Zoom: Max. Please read these instructions carefully before using this product, Digital camera, lens kit/body (124 pages), Manual will be automatically added to "My Manuals", Digital Camera Panasonic Lumix DC-FZ10002 Basic Operating Instructions Manual, Digital Camera Panasonic LUMIX DC-GX850K Owner's Manual, Digital Camera Panasonic DC-GH5 Basic Owner's Manual, Digital Camera Panasonic DC-GH5 Owner's Manual, Digital Camera Panasonic lumix DC-TZ90 Operating Instructions Manual, Digital Camera Panasonic Lumix DC-ZS70 Basic Owner's Manual, Digital Camera Panasonic Lumix DC-G9 Operating Instructions For Advanced Features, Digital Camera Panasonic Lumix DC-G9 Operating Instructions Manual, Digital Camera Panasonic Lumix DC-G9 Basic Operating Instructions Manual, Digital Camera Panasonic Lumix DC-GH5S Operating Instructions For Advanced Features, Digital Camera Panasonic LUMIX DC-GH5S Owner's Manual, Digital Camera Panasonic Lumix DC-GX9 Operating Instructions Manual, Digital Camera Panasonic LUMIX DC-GX9K Basic Operating Instructions Manual, Digital Camera Panasonic LUMIX DC-TZ200 Operating Instructions Manual, Digital Camera Panasonic Lumix DC-ZS200 Basic Owner's Manual, Page 16: Names And Functions Of Main Parts, Page 26: Inserting And Removing The Card (Optional), Page 28: Formatting The Card (Initialization), Page 33: Buttons/Dials/Levers Used For Recording, Page 35: Shutter Button (Taking Pictures), Page 36: Motion Picture Button (Recording Motion Pictures), Page 38: (Switching The Display Information), Page 41: Touching The Screen And Recording (Touch Shutter Function), Page 42: Easily Optimizing The Brightness For A Specified Area ([Touch Ae]), Page 45: Calling Frequently-Used Menus Instantly (Quick Menu), Page 46: Change The Quick Menu To Your Preferred Item, Page 47: Assigning Frequently Used Functions To The Buttons (Function Buttons), Page 48: Using The Function Buttons During Recording, Page 49: Using The Function Buttons During Playback, Page 54: Taking Pictures Using A Handheld Camera ([Ihandheld Night Shot]), Page 55: Combining Pictures Into A Single Still Picture With Rich Gradation ([Ihdr]), Page 56: Setting Brightness (Exposure)/Blurriness Of The Background (Defocus Control Function), Page 57: Taking Pictures After Automatically Setting The Aperture Value And Shutter Speed (Program Ae Mode), Page 58: Taking Pictures By Setting The Aperture Value And Shutter Speed, Page 59: Taking Pictures By Setting The Shutter Speed (Shutter-Priority Ae Mode), Page 60: Taking Pictures By Setting The Aperture Value And Shutter Speed (Manual Exposure Mode), Page 62: Checking The Effects Of The Aperture Value And Shutter Speed (Preview Mode), Page 64: Easily Set Aperture Value / Shutter Speed For Suitable Exposure (One Push Ae), Page 65: Recording Panorama Pictures (Panorama Shot Mode), Page 68: Taking Pictures According To The Scene (Scene Guide Mode), Page 72: Taking Pictures With Different Picture Effects (Creative Control Mode), Page 78: Recording Motion Pictures By Setting The Aperture/ Shutter Speed/Iso Sensitivity (Creative Video Mode), Page 79: Recording Slow Motion Pictures ([High Speed Video]), Page 80: Minimizing Operational Sounds During Motion Picture Recording, Page 81: Registering Your Own Settings And Recording (Custom Mode), Page 82: Recording Using Registered Custom Set, Page 83: Focus, Brightness (Exposure) And Color Tone Settings, Page 84: Set The Focusing Operation To Be Performed When The Shutter Button Is Pressed Halfway (Afs, Aff, Afc), Page 91: Changing The Position And Size Of The Af Area, Page 94: Setting The Af Area Position With The Touch Pad, Page 95: Optimizing The Focus And Brightness For A Touched Position, Page 96: Taking Close-Up Pictures (Macro Recording), Page 97: Taking Pictures With Manual Focus, Page 99: Taking Pictures By Locking The Focus And/Or Exposure (Af/Ae Lock), Page 100: Taking Pictures With Exposure Compensation, Page 105: Performing White Balance Fine Adjustments, Page 106: Bracket Recording Using White Balance, Page 110: Selecting Pictures From 4K Burst File And Saving, Page 117: Adjusting The Focus After Recording ([Post Focus]/[Focus Stacking]), Page 119: Select The Focus Point And Save The Picture ([Post Focus]), Page 120: Select The Focus Range To Combine And Create A Single Picture ([Focus Stacking]), Page 122: Notes On The [Post Focus]/[Focus Stacking], Page 126: Taking Pictures With Self-Timer, Page 131: Creating Stop Motion Animation [Stop Motion Animation], Page 139: Using The Zoom By Performing Touch Operations (Touch Zoom), Page 148: Taking Pictures With Wireless Flashes, Page 153: Setting The Format, Picture Size And Recording Frame Rate, Page 155: Adjusting The Focus While Recording Motion Pictures ([Continuous Af]), Page 156: Pan Or Zoom While Recording With The Camera In A Fixed Position [4K Live Cropping], Page 159: Taking Still Pictures While A Motion Picture Is Being Recorded, Page 163: Playing Back And Editing Pictures, Page 165: Capturing Still Pictures From Motion Pictures, Page 167: Viewing Pictures By Their Recording Date "Calendar Playback, Page 232: Operating The Camera By Connecting It To A Smartphone, Page 237: Taking Pictures Via A Smartphone (Remote Recording), Page 238: Playing Back Pictures In The Camera On A Smartphone, Page 239: Sending Pictures In The Camera To Social Networking Services, Page 241: Combining Motion Pictures Recorded With Snap Movie According To Your Preference On A Smartphone, Page 242: Displaying Still Pictures On A Tv, Page 244: Send Images Stored In The Camera, Page 246: Sending Pictures To A Smartphone, Page 254: When Sending Images To [Cloud Sync. Product Details. Its viewfinder is clear even in bright sunlight. Panasonic Lumix FZ80 / FZ82 Power O.I.S Off/On. The new screen more than doubles the resolution to 1040k dots but more importantly itâs touch sensitive, allowing tap positioning of the AF area as well as other benefits. DFD speeds up AF operation by using the lens characteristics to predict in which direction and how far the lens needs to be moved. The FZ80 / FZ82 takes a sequence of shots as you rotate the camera to capture a panoramic scene and then assembles them in-camera to a single image. That said, the Canon PowerShot SX60 HS comes close with a 21mm wide-angle equivalent and the Nikon COOLPIX B700 has a 24mm equivalent. With the DMW-LT55 converter attached the FZ80 / FZ82’s maximum telephoto range is extended to a whopping 2,040mm which will essentially fill the frame with the Moon. The lumix DC Vario lens features a super bright F2.8-5.9 aperture range that is optically stabilized with Panasonic’s power o.I.S. As well as that, the touch screen makes it a breeze to change camera settings and make menu selections. Panasonic DC-FZ80 Features. To maintain a responsive experience which feels like the images are stored locally on your phone or tablet, the camera sends a lower resolution version. Service], Page 260: Connecting Via A Wireless Access Point ([Via Network]), Page 264: Connecting Quickly With The Same Settings As Used Previously ([Select A Destination From History] / [Select A Destination From Favorite]), Page 271: Viera Link (Hdmi) (Hdavi Control™), Page 272: Storing Recorded Still Pictures And Motion Pictures On Your Pc, Page 275: Copying Still Pictures And Motion Pictures, Page 277: Storing Recorded Still Pictures And Motion Pictures In The Recorder, Page 284: Ac Adaptor (Optional) / Dc Coupler (Optional), Page 285: List Of Monitor/Viewfinder Displays. The FZ80 / FZ82 no longer provides 200MB of built-in memory like its predecessor, but I donât imagine too many people will mourn the loss. Assuming the figure is given for 1600 ISO, it’s fair to assume that the FZ70 / FZ72’s flash does in fact deliver around twice as much power as the other two models. Like its predecessor, the FZ80 is an entry-level model that sits below the FZ300. But none of these is going to fit in your coat, unless you have very capacious pockets. Thatâs unusually bright for a 60x optical zoom in this price bracket. In RAW mode I got a burst of 14 shots, again slightly quicker than the quoted 10fps before things stalled and slowed down considerably. Like its predecessor, the FZ80 / FZ82 has 1080p HD movie modes at 50 and 60 frames per second. Both of these models sport viewfinders with a slightly lower 921k dot resolution, the Nikon COOLPIX, like the FZ80 / FZ82, has a 0.2 inch panel and the PowerShot SX60 HSâs is 0.17inch, so on paper thereâs not a lot to separate them. The continuous AF is a little bit skittish here and on the way in the zoom motor sounds like a bag of spanners, but the image quality is hard to fault. You can also add a monochrome to colour fade in our out effect, as well as a simple exposure fade. Exclusive 4K PHOTO combined with 4K video capture performance. The clever part is Panasonic equips its 4k Photo cameras with software that lets you easily capture bursts of video before scrolling through the footage and extracting the perfect frame as a JPEG image, all in-camera. Panasonic Lumix FZ80 / FZ82 Monitor and EVF. If you set continuous AF the High speed burst rate drops to 6fps – which is the same as the Middle speed. May not be used without permission. The price you pay for that long long zoom is a camera thatâs getting on for DSLR weight and proportions. Providing you keep on turning and keep the camera reasonably level the FZ80 / FZ82 will record a complete 360 view. You can hold the camera in portrait or landscape mode, you have to specify which in advance. The Canon PowerShot SX60 HS lacks 4K capability – its best quality movie mode is 1080 / 60p. You can adjust the ISO, white balance, exposure compensation or focus area, and thereâs also a Q.Menu button which presents a list of additional options you can remotely change including the focus and metering modes, aspect ratio, resolution, compression, macro mode, photo style or movie quality. The second problem is before letting you upload anything directly from the camera youâll first need to register for Panasonicâs free Lumix Club. The Lumix FZ80 / FZ82 can also upload images directly to the internet by itself via a suitable Wifi connection. It typically took about 5 seconds to copy an original JPEG from the camera to my iPhone 6 from a distance of about 1m; itâs not possible to copy RAW files though. In this side-by-side review, we will be comparing Canon PowerShot SX740 HS and Panasonic Lumix DC-FZ80. The Lumix FZ80 / FZ82 has a maximum aperture of f2.8, closing to f5.9 at the telephoto end of the zoom range. That said, neither of those two models features a touch-sensitive screen and if I had to choose between the two features I think Iâd choose touch-sensitivity over articulation every time. Focus and exposure are prioritised on recognised faces which can be registered manually, or you can set things up so that the camera automatically registers frequently shot faces. Panasonic FZ80 Review - FZ80 Specifications. You can upload directly to Facebook, Twitter, Picasa, Youtube, Flickr, but thereâs two gotchas. Or of course once the image is copied into your device, you could just exit the Panasonic app and handle it direct from whichever sharing or storage app you like via your phoneâs gallery. Post focus is more than just a gimmick, like 4K photo itâs a feature that takes advantage of the 8 Megapixel resolution available in 4k video frames to improve your chances of getting a great still image that truly captures the moment. The one change here is the addition of drive modes, which previously had a dedicated button on the top panel, to the four way controller. Panasonic introduced Creative Control filter effects on the FZ47 / FZ48 and extended the range on the FZ150 with the addition of eight new options. The 4K video mode captures up to 4X the resolution of standard Full HD. 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